Naeem Mohaiemen
we_1.jpg

1971, we the living, we the dead

1971, WE THE LIVING, WE THE DEAD

Site-specific installation at Beauty Boarding, Old Dhaka. | Diary fragments and text | 2011

On a quiet day with few visitors, Tarok Saha opened his father’s notebook to Shehzad Chowdhury. Nothing else had survived, only this. Addresses, phone numbers, names of his children, birth dates.  Normal, daily life. The last entry is Tarok’s birthday: 29/12/63. Sunday.  

There was one more sibling. Mita Saha. He meant to enter that name as well, but that birth was after. After independence…

The list of the 1971 dead come from a book published by Shudhi Sangha Trust. Some of the names have Shaheed in front of them. Others do not. But they were all taken away from Beauty Boarding on the same day. Seems an oversight.

Two names are missing, they were visitors and had not been recorded.  Joseph is the only person without a surname. Later I learnt he was an actor. Now I understand. Like Rajjak, Kobori, Babita… hmm, Joseph?

Most names here are Hindu. You can’t say that, warns a friend, so many Muslims died too. Yes, yes, of course…

We, the living, perhaps born in the pages of the notebook or on the streets around this address, we live alongside the dead. You might say, the Shaheed. 

The phrase “Is this the Bangladesh we wanted” comes from a 2003 essay by Humayun Azad. A year later, Azad passed away, six months after sur-viving an assassination attempt.

Originally installed at Beauty Boarding in Old Dhaka, as part of Latitude Longitude 4, curated by Shehzad Chowdhury.
Diary full page image: Shehzad Chowdhury; Beauty Boarding installation image: Hana Shams Ahmed.

 

Thanks: Tarok Saha, Syed Yousuf, Shabnam Nadiya.