Tripoli Cancelled [2017]

film, 93 minutes, 2017

A man follows a daily routine of walking, smoking, writing letters, staging scenes, and reading from a weathered copy of Watership Down. Gradually, we learn that his prison for the last decade is an abandoned airport, and witness his slow descent into madness. ​I​nspired by the experience of Mohaiemen’s father, trapped without a passport at Athens Ellinikon airport for nine days in 1977. In Mohaiemen’s first fiction film, the line between prisoner and king is blurred in a merging of our epoch of desperate migration with the post-Holocaust concept of “spectral human” (Hannah Arendt) and Der Muselmänner (Giorgio Agamben). The film is staged in the Ellinikon terminal designed by Eero Saarinen in 1969, closed in 2001 when the new Eleftherios Venizelos airport opened for the 2004 Olympic Games. The airport was recently used as a shelter for refugees,​ and then became one of the Greek state properties contracted ​in 2016 ​for ​real estate ​redevelopment.