mohaiemen

  • FAMILY
    • Harmit Singh's War
    • Metal Mastan
    • Grace
    • Jamahiriya Means People
    • Wooster Street
    • Karen's Last Books
    • Jole Dobe Na
    • Tripoli Cancelled
    • What We Found After You Left
    • Rankin Street, 1953
    • Rankin Street 1953, Blueprints
    • Baksho Rohoshyo
  • SOCIALISM
    • THROUGH A MIRROR, DARKLY
    • MAY 4, 1970
    • Abu Ammar is Coming
    • Dreams Watch Eachother
    • Two Meetings and a Funeral
    • Worlds Collide
    • Last Man in Dhaka Central
    • Afsan’s Long Day
    • United Red Army
    • United Red Army (Timeline)
    • Like a Madwoman
    • The Year 1973
    • War of Six Six Six
    • Sartre Stammheim
    • Nayaak, Lost Hero of History
  • TRAVEL
    • Babylon
    • Shokol Choritro Kalponik
    • Live True Life or Die Trying
    • Muslims or Heretics
    • SMS Iran
    • Sharjah Barbershop
  • memory
    • A Missing Can of Film
    • When Worlds Collide
    • Schizophrene
    • L'Internationale
    • Dreams Watch Eachother
    • MTA dawn to dusk
    • Bor-Porong
    • Red Ant Mother
    • Der Weisse Engel
    • I Am Not Afraid to Die
    • Traitors, a Mutable Lexicon
    • We The Living, We The Dead
    • Chika Mara
    • Penn Station Kills Me
    • Pulp, A Fiction
    • Kazi in Nomansland
    • White Teeth
  • Borders
    • Disappeared in America
    • Voglio Andare
    • My Mobile Weighs A Ton
    • Otondro Prohori
    • Collectives in Atomised Time
    • Azaadi
    • Le Saigon Quiz
  • Talks
    • Lectures
    • Conversations
  • Publications
    • Press
    • Books
    • Print Projects
    • Book Reviews
    • Art Reviews
    • Essays
  • Events
    • 2026
    • 2025
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
  • ABOUT
    • there you are
    • Harmit Singh's War
    • Metal Mastan
    • Grace
    • Jamahiriya Means People
    • Wooster Street
    • Karen's Last Books
    • Jole Dobe Na
    • Tripoli Cancelled
    • What We Found After You Left
    • Rankin Street, 1953
    • Rankin Street 1953, Blueprints
    • Baksho Rohoshyo
    • THROUGH A MIRROR, DARKLY
    • MAY 4, 1970
    • Abu Ammar is Coming
    • Dreams Watch Eachother
    • Two Meetings and a Funeral
    • Worlds Collide
    • Last Man in Dhaka Central
    • Afsan’s Long Day
    • United Red Army
    • United Red Army (Timeline)
    • Like a Madwoman
    • The Year 1973
    • War of Six Six Six
    • Sartre Stammheim
    • Nayaak, Lost Hero of History
    • Babylon
    • Shokol Choritro Kalponik
    • Live True Life or Die Trying
    • Muslims or Heretics
    • SMS Iran
    • Sharjah Barbershop
    • A Missing Can of Film
    • When Worlds Collide
    • Schizophrene
    • L'Internationale
    • Dreams Watch Eachother
    • MTA dawn to dusk
    • Bor-Porong
    • Red Ant Mother
    • Der Weisse Engel
    • I Am Not Afraid to Die
    • Traitors, a Mutable Lexicon
    • We The Living, We The Dead
    • Chika Mara
    • Penn Station Kills Me
    • Pulp, A Fiction
    • Kazi in Nomansland
    • White Teeth
    • Disappeared in America
    • Voglio Andare
    • My Mobile Weighs A Ton
    • Otondro Prohori
    • Collectives in Atomised Time
    • Azaadi
    • Le Saigon Quiz
    • Lectures
    • Conversations
    • Press
    • Books
    • Print Projects
    • Book Reviews
    • Art Reviews
    • Essays
    • 2026
    • 2025
    • 2024
    • 2023
    • 2022
    • 2021
    • 2020
    • 2019
    • there you are

 RECENT PRESS

“‘Bengal Photography’s Reality Quest’: A Discourse with Naeem Mohaiemen“
The Daily Star, Antara Noshin, March 16, 2025

“Revisiting Historiography:Photographing the Two Bengals”
ASAP Art, Sukanya Deb, January 10, 2025

“‘Midnight’s Third Child’ by Naeem Mohaiemen Review: Trying Harder”
Art Review, Mark Rappolt, November 28, 2023

“Returning to Singapore Art Week 2024”
ArtReview, 2023
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Editors’ Picks: 12 Events for Your Art Calendar This Week, From Andy Goldsworthy’s Latest Project to a Book Release by Ben Davis
ART NEW NEWS, Sarah Cascone, March 29, 2022

“The Rudolfinum Gallery knows how to get rid of compassion fatigue,”
ČT24, 2021

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“Naeem Mohaiemen’s ‘Jole Dobe Na,’” Art News Agenda Reviews, by Natasha Marie Llorens, July 15, 2021

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“Naeem Mohaiemen on the Afterlife of Care and Memory: in conversation with Katarina Pierre”, Ocula Magazine in partnership with Bildmuseet, April 2021

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“'Jole Dobe Na': The afterlife of caregivers,” by Meenakshi Shedde, April, 2021

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“Yokohama Triennale 2020,” ARTFORUM, by Du Keke, October/November 2020

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